The difficulty (and necessity) of translation is concisely described in Nineteen Ways of Looking at Wang Wei, a close reading of different translations of a single poem from the Tang Dynasty―from a transliteration to Kenneth Rexroth’s loose interpretation. As Octavio Paz writes in the afterword, “Eliot Weinberger’s commentary on the successive translations of Wang Wei’s little ...(展开全部)

More than sixty years ago, mathematician-philosopher Norbert Wiener published a book on the place of machines in society that ended with a warning: "we shall never receive the right answers to our questions unless we ask the right questions.... The hour is very late, and the choice of good and evil knocks at our door." In the wake of advances in unsupervised, self-improving mac...(展开全部)

With superb skill and feeling, Graham Greene retraces the experiences and encounters of his extraordinary life. His restlessness is legendary; as if seeking out danger, Greene travelled to Haiti during the nightmare rule of Papa Doc, Vietnam in the last days of the French, Kenya during the Mau Mau rebellion. With ironic delight he recalls his time in the British Secret Service ...(展开全部)

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. "Seeing comes before words. The child looks and recognizes before it can speak." "But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the s...(展开全部)

The sequel to Howl's Moving Castle When Charmain Baker agreed to look after her great-uncle's house, she thought she was getting blissful, parent-free time to read. She didn't realize that the house bent space and time, and she did not expect to become responsible for an extremely magical stray dog and a muddled young apprentice wizard. Now, somehow, she's been targeted b...(展开全部)

格雷厄姆·格林（1904-1991），英国大师级小说家。他悲观厌世到极点，却又最关注灵魂的挣扎和救赎；他作品中的“恶”无处不在，暴力、犯罪、背叛、堕落比比皆是，可最惊心动魄的却是个人内心的道德和精神斗争；他作品中的人物卑琐、绝望至极点，可是污泥中却能绽放人性的光彩；他称得上是20世纪最严肃最悲观最具宗教意识的作家，可同时又是讲故事的圣手，是20世纪整个西方世界最具明星效应的大师级作家之一，是英国20世纪读者最多的小说家之一。